International praise for the recordings of Anne-Marie McDermott continues apace. Gramophone writes that "we have waited a long time for an American pianist of this stature", and Fanfare raves "In a lifetime of listening, this, hands down, the finest recording of Mozart piano concertos I've ever heard (Vol. 1)." McDermott's new recording essays two of Schubert's greatest sonatas with extraordinary detail and deep humanity. Recorded at the legendary Troy Savings Bank Music Hall.
Reviews:
"Anne-Marie McDermott is fiery in her dynamic contrasts and truly red-blooded- no chocolate-box Schubert here. The recording is stunningly vibrant with excellent deep bass and refined sonority." - MusicWeb International (Dominy Clements) (Recording of the Month)
"Interpretation and recording are impeccable." — MusicWeb International (Michael Greenhalgh) (Recommended)
"Sometimes it all comes together — the music, the artist, the venue, the recording. That's what happens with this release. Highly recommended." — Charlottesville Classical
"McDermott has made quite an impression with her recordings of Mozart’s work, and this effort is equally luminous and is sure not to be missed by those who enjoy classical sounds." — Take Effect
BRIDGE 9550A/B